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SHOCK CINEMA
Your Guide To Cult Movies, Arthouse Oddities, Drive-In Swill, And Underground Obscurities!
Biannual Fanzine from United States

- First issue: 1992
- Everything except "standard Hollywood slop".
- From the editorial to the last page Shock is a magazine with great personality. An informative source for weird movies.
- Before Shock Cinema Steve Puchalski was the creator of Slimetime. The reviews from that zine can be found in a wonderful book with the same title.
- Publisher/Editor: Steve Puchalski
- One issue per year, 40 black and white A4 pages.
- Website: www.shockcinemamagazine.com

Last updated:
1 January 2024
(see recent updates)

Special thanks for this page goes to:
Scott Matheson
Garry Malvern

COVERS FOUND & MISSING

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CONTENTS: 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 2020 2021 2022 2023 All

GALLERIES: 1992 1993 1994 1995 1996 1997 1998 1999 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 2020 2021 2022 2023 All

Issue 37
October/November/December 2009

Interviews with actors Dick Anthony Williams, James Hampton and Jorge Rivero, plus actress Francine York. Reviews include Mary Tyler Moore's excruciating musical-fantasy Mary's Incredible Dream; Hal Holbrook in Natural Enemies; James Brolin in the grimy NYC thriller in Night of the Juggler; Mickey Rooney and Buddy Hackett in Everything's Ducky; Graeme Blendell in the Aussie sex-documentary The Naked Bunyip; Nicol Williamson in John Osborne's Inadmissible Evidence; Jeff Bridges, Tyne Daly and Sal Mineo in the groovy pilot In Search of America; Robert Evans' star-studded, anti-drug TV-special Get High on Yourself; Uschi Obermaier mixes sex and terrorism in Rote Sonne [a.k.a. Red Sun]; Clayton Rohner, Roddy McDowell and Anthony Perkins in The Naked Target; Fatma Girik in the Turkish Shakespeare adaptation Lady Hamlet; David Janssen in Ring of Fire; Nino Manfredi in Giuliano Montaldo's A Dangerous Toy; Katie Saylor in Supervan; James Nares' No Wave epic Rome '78; the Don Dohler documentary Blood, Boobs and Beast; Joseph Minion's Daddy's Boys; Anna Biller's saucy retro-melodrama Viva; David Hemmings and Gayle Hunnicutt in Voices [a.k.a. Nightmare]; Ron Jeremy in Phil Prince's The Story of Prunella and Paul Norman's Pornorama; Peter Whitehead's swinging-'60s documentary Tonite Let's All Make Love In London; et cetera.

Issue 36
March/April/May 2009

interviews with:
Actor Richard Lynch (The Seven-Ups, Scarecrow, The Formula, Bad Dreams).
Actress Linda Haynes (Rolling Thunder, Coffy, Latitude Zero, The Drowning Pool).
Actress Jennifer Ashley (The Pom Pom Girls, Inseminoid, Tintorera, The Centerfold Girls).
Director Richard Rush (The Stuntman, Psych-Out, Hells Angel on Wheels, Freebie and the Bean).
There are also dozens and dozens of informative film, DVD, and book reviews, covering such titles as Richard Boone in John Huston's The Kremlin Letter; Dennis Potter's A Beast with Two Backs; David Janssen and Yaphet Kotto in The Man in the Back Seat; a collection of Doodles Weaver comedy-shorts, Doodles Lover Diary; Jean-Louis Trintignant's A Full Day's Work; Walt Disney's tripped-out ode to American car culture, Dad...Can I Borrow the Car?; a live-action, X-rated tribute to Tijuana Bibles, Sex in the Comics; Darko Mitrevski's Bal-Can-Can; Bruce Davison in the controversial '80s TV-movie The Wave; Jean Gabin in Razzia Sur La Chnouf; George Hamilton in Crime and Punishment U.S.A.; Stanislaw Lem's Test Pilot Pirx; Priscilla Barnes, Barbara Feldon and Maureen McCormick in A Vacation in Hell; Guy Bedos and Sophie Daumier in Aimez-Vous Les Femmes? [Do You Like Women?], written by Roman Polanski; Timothy Bottoms, Susan George and Bo Hopkins in Jack Starrett's A Small Town in Texas; Ryan Dacko's Plan 9 From Syracuse; Jerry Stuhr in Piotr Szulkin's post-apocalyptic O-Bi, O-Ba, End Of Civilization; Rene Daalder's Here is Always Somewhere Else; Plagues & Pleasures on the Salton Sea; Andrew Prine in Simon, King of the Witches; Sexual Freedom In Denmark and Sexual Liberty Now!; James Earl Jones as the first black president in The Man; The Young Cycle Girls; Takashi Miike's Crow 0; David Janssen in Dondi; Andrzej Zulawski's The Third Part of the Night. Trent Haaga in Richard Griffin's Splatter Disco; Keith J. Crocker's Blitzkrieg: Escape From Stalag 69; JoBeth Williams in Noel Black's supernatural pilot The World Beyond: 'Monster'; Lex Barker, Anne Bancroft and Mamie Van Doren in The Girl in Black Stockings; Anthony Eisley in Antonio Margheriti's Lightning Bolt; James Cagney in Rankin-Bass' The Ballad of Smokey the Bear; Hugo Pratt's animated Corto Maltese and the Sign of the Capricorn; Alan Rudolph's directorial debut, Premonition; Bill Rogers in Love Goddesses of Blood Island; Fred Williamson and Bo Svenson in Enzo Castellari's The Inglorious Bastards; James MacArthur in The Angry Breed; Christina Hart in Jack Arnold's Games Girls Play; Rod Steiger in W.C. Fields and Me; Helle Louise in Joe Sarno's Daddy, Darling; Robin Redbreast; Anna Maria Pierangeli in Sergio Bergonzelli's In the Folds of the Flesh; Robert Pratten's Mindflesh; Jamie Harrold in Vladimir Vitkin's X, Y; Mark Colegrove's Isle of the Damned; Pericles Lewnes' Loop; Jean-Louis Trintignant and Ann-Margret in The Outside Man; Barry J. Gillis in Things; Orson Welles in Future Shock; Nobuhiko Obayashi's Drifting Classroom; the Gitane Demone compilation Life After Death; David Walker's Damaged Goods; Koo Stark in Justine; Jeanne Lusignan's Pictures From the Floating World; Kieran Galvin's Puppy; Dan West and Rick Popko's Retardead; The Ghouligans! Super Show; Rita Calderoni in Nude For Satan; and many more.

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